Saturday, August 28, 2010
Hope for Hope
When I met with my teacher about writing fiction, he told me that a big difference, other than length, between a novel and a short story is that the former supplies multiple effects while the latter seeks to achieve only one. These stories that have claimed despair the verdict (seemingly as their one chosen effect) teach me a valuable insight into the status of so many human hearts. They've accepted this. I am grateful to these stories which clearly communicate the despondency today faces, but it only further encourages me never to write with the same departure. My stories will end with hope. If every loved one of a character dies, horrifically, I will still leave room for hope. Hope is necessary, and I think that it is necessary in literature, because no matter how unreal fiction becomes, and whether or not it is intended to be moral, suspenseful, insightful, or humorous; whether or not it intends to communicate a message, it always communicates a message. I have committed myself and now do it further, that any story I write will carry the purposeful or accidental message of hope.
On another note, or maybe the same, yesterday morning my two writing friends and I had a promising meeting. We each listed our personal and group goals for writing and announced rules to keep each other accountable. It was wonderful, and I am elated that the pieces are falling into place for each of us to succeed in what we are after--essentially to glorify God in our gifts.
Thursday, August 26, 2010
You are here
Wednesday, August 25, 2010
For the Stories
Tuesday, August 24, 2010
In Dependence
From a Frozen Brain (reposted)
MONDAY, AUGUST 23, 2010
From a Frozen Brain
I have forty-five minutes to write this blog by midnight, and I don't know what to write. Writer's block. Finally, I feel like a true writer, because I have come to the dreaded confusion, that blank state, that sterile tank of thoughts, when no matter how hard I try to think of something to write, all I can think about is my chipped nail polish, the marker mark on my finger, and the person IMing me on Gchat. We can add to that the phone conversation I just had, the phone conversations I will have tomorrow, and what time I am waking up in the morning--how many hours of sleep will I get if I actually wake up in time to exercise?
I now have thirty-six minutes to write this blog, and all I can think about is my brother tapping his finger across the table, and I am wondering what he is thinking about. And I am wondering what my other brother is so zealously typing on face-book. There are dead flowers hanging from above the middle of the table. I put them there because I wanted to dry them, but they look terrible because under them my mom has a bouquet of fresh flowers, and because they are upside-down from a ribbon. I wrote about what I have to become accustomed to in my new home, or rather my old home--meanwhile, my mom is probably writing in her journal about how ugly my dead upside-down flowers look above her fresh colorful flowers in a vase.
I have twenty-eight minutes to write this blog, and I will write how thankful I am for this blog, because now I feel guilty, honestly guilty because today I only wrote a scrappy, children's story while I baby-sat when I was supposed to be drawing a picture. I did not set aside any other time to write. This horrible feeling is wonderful, because now I am going to write tomorrow.
I have twenty-three minutes to write this blog, which is plenty of time to write about what my friend is trying to get me to include in this blog, that "he believes that if you can feel it in your heart that you should be doing it, you should be doing it," or to write about the crickets chirping outside and how incredible the air feels, or to tell you about the annoying noise my brother's chair is making. I could also describe to you the painted birdhouse (this same brother and I made) that is swaying diligently outside the window and how no birds ever come to it anymore, the orange candles living in orange fake flowers as the center piece of our kitchen table and how they remind me that Fall is near, or I could tell you that the dead flowers are almost dry and how then I can finally put the nice ones right side up in a vase to hang onto a memory forever, just like with the rest of my dried flowers, but those would all be incredibly boring things to bring into my blog, so I will leave them out.
Saturday, August 21, 2010
People and Progress and Messes
Friday, August 20, 2010
A Bit of My Mind
Today I am cheating and posting something that I wrote earlier, what came after I began the writing exercise of just writing until I write something worthwhile. Here is the something like worthwhile that I came to, which discovery means great progress for me:
"Though my head might be spinning with a thousand characters and interesting things to write about, I will never be able to translate them all into words. Writing is work, just like everything else. It takes discipline, and while sometimes I need to shut off those voices and habits that thwart my imagination, sometimes I will have to neglect those imaginary voices that tell me to write about something else. I will have to tell those characters I have not yet created but are begging to be created, or whom I've imagined and are dying to be in my pages, that I just cannot write about you right now.
It's like sitting and having coffee with one friend. Though I love every person who might text or call me, I must devote myself, all of my attentive faculties, to the person in front of me. When I went to dinner with my boyfriend, he left his cell phone in the car. I said, 'But what if people call about the movie tonight?' (he had been the one making the plans for our friends). He said, 'Sorry, I am out to dinner with you right now.' It is not that the other people are not important to him, it is just that he recognized that that was the appropriate time to be fully present to me. And that is the same kind of honor that I have to give to certain characters I am committed to. I need to get to know them. I need to understand them. I need to think about their world, what they are thinking and feeling. That is when I will become a writer, because I will not just arrange words or tell what is already known. I will make a new person that can only exist in the mind. Not even a picture can tell their story.
Black shapes on white paper will open up readers' brains to a new story and to new people readers never could have known before. I know this because it has happened to me, and to my little sister, and to every person who has cried as they've read a fake person's story in a book. The unreal becomes real. But after all I or any writer has created, we still only touch on something already true. That is why humans connect with it, because they find something familiar in these made up characters, something they already knew or something they longed or hated to think of, and it is mixed together just right to help them to feel something in their lives they wouldn't have felt."